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《四首畢卡索主題練習曲》
此曲由台灣管樂協會委託創作， 國家文化藝術基金會補助。全曲 共有四個樂章，每樂章約三分鐘長度，作為2006年第六屆台灣管樂協會盃管樂團比賽的指定曲。四個樂章分別以四幅畢卡索不同年代與風格的名畫為主題創作：
I. 生之喜悅 (1946) ：二次大戰後，畢卡索回地中海區域生活，同時認識了妻子Francoise Gilot 使畢卡索重新對繪畫與生活產生無限熱情。 Francoise側面剪影出現在畫的中央，藍色與黃色的基調暗示地中海大海，陽光與沙灘。
II. 亞維儂的少女 (1907)：這幅畫被一些藝術史學家認為是現代藝術的起源，標題中的亞維儂是巴塞隆納紅燈區一條大街的名稱，畫中是以亞維儂大街一間妓院為背景，五名裸體的女子隨著神秘而憂鬱的節拍起舞，構成這幅極具爭議性而影響深遠的名作。
III. 火槍手與愛情 (1969)：這幅畫是畢卡索晚期回歸立體主義的名作，主人翁火槍手暗示著晚年畢卡索對回复早年男性青春活力的渴望與夢想。
IV. 格爾尼卡(1937) ：1937年西班牙格爾尼卡鎮被德國戰機轟炸，造成２０００多名無辜市民死傷，愛國的畢卡索便完成這幅巨大作品，作品採用了立體主義和超現實主義手法，畫中肢體殘缺的士兵，倒地嘶叫的馬傳遞出巨大的震撼力量，後來被公認為反對戰爭暴行的最有力的宣言。

Four Etudes on the Theme of Picasso
This piece was commissioned by the Taiwan Wind Music Association and subsidized by the National Foundation for Culture and Arts. The music consists of four movements, each of which is about three minutes long. It is the designated music of the 6th Taiwan Wind Orchestra Association Cup Wind Orchestra Competition in 2006. The four movements are based on four famous Picasso paintings of different ages and styles:
I. Joy of Life (1946) : After the Second World War, Picasso returned to the Mediterranean region to live. Meanwhile, he met his wife Francoise Gilot, which made him renew his enthusiasm for painting and life. The profile silhouette of Francoise appears in the center of the painting. The tone of blue and yellow implies the Mediterranean Sea, sunshine and sand.
II. The Maid of Avignon (1907) : This painting is considered by some art historians as the origin of modern art. Avignon in the title is the name of a street in the red light district of Barcelona.
III. The Musketeers and Love (1969) : This painting is a famous return to Cubism by Picasso in his late years. The Musketeers suggest that the Musketeers in his later years are Picasso’s longing and dream to restore the youthful vigor of his early years.
IV. Guernica (1937) : In 1937, the Spanish town of Guernica was bombed by German warplanes, which killed and injured more than 2,000 innocent citizens. The patriotic Picasso completed this huge work, which adopted Cubist and surrealist techniques. In the painting, soldiers with mutilated limbs and horses on the ground screaming conveyed great shock power, and was later recognized as the most powerful declaration against the atrocities of war.

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