樂譜試看試聽

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樂曲解說

「陽婆(指太陽)一落燒着一把火，因推抱柴瞭哥哥，瞭見那村村瞭不見一個人，瞭見那煙筒上冒煙塵」
爬山調屬於山歌的一種,流行於山西河曲和内蒙古武川一帶，以對應的上下樂段結構為典型特徵。《爬山調》該樂曲由兩首爬山調聯合而成，其中的一首選用了傳統情歌《陽婆里抱柴瞭哥哥》為主題，描繪了一位農村姑娘以抱柴為借口，站在山崗上等待情哥到來的畫面。
該樂曲中使用雙簧管，圓號、薩克斯、長笛接連呈現主題旋律。在抒情悅耳的中音區中，音調中常常出現連續四五度，為樂曲增添了濃鬱的蒙古民歌風格。樂曲温柔細腻的旋律和輕盈舒緩的節奏，彷佛可以看到山村男女對愛情的美好憧憬與嚮往。同時,豎琴採用三連音的方式填充聲部，仿佛留給聽衆對於美好畫面的無盡遐想。

“Climbing Tune” is a type of mountain song popular in the regions of Hequ, Shanxi, and Wuchuan, Inner Mongolia. It is characterized by a distinctive structural pairing of upper and lower melodic phrases. This particular piece is composed by combining two “Climbing Tune” melodies, one of which is based on the traditional love song “Yang Po Li Carries Firewood for Her Lover.” The melody paints a vivid picture of a rural girl standing on a hillside, using the act of carrying firewood as an excuse to wait for her beloved.
In this arrangement, the oboe, horn, saxophone, and flute successively present the main melody. The lyrical and melodious middle register is enriched with frequent fourth and fifth intervals, adding a strong touch of Mongolian folk style to the piece. The music’s gentle and delicate melody, paired with its light and flowing rhythm, beautifully captures the romantic longing and aspirations of young villagers in love. Meanwhile, the harp fills the harmonic space with triplet figures, leaving listeners with an endless sense of imagination and nostalgia for this picturesque scene.

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