樂譜試看試聽

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樂曲解說

「青線線那個藍線線，藍格英英的彩，生下一個蘭花花，實實的愛死人。五穀裏那個田苗子，數上高粱高，一十三省的女兒呦，就數那個蘭花花好。」
《蘭花花》是最廣為流傳的陝北民歌之一，以「信天游」形式創作，由歌詞中「一十三省的女兒」推測本曲可追溯至明代全國十三省行政區劃分的建制。這首以緩板（Largo）貫穿全曲速度的歌曲，內容講述蘭花花這名女子在封建社會下，對於幸福的自由追求，與其在禮教說媒的背景下，悲劇性的命運，形成了沈痛的對比。
樂曲由雷霆萬鈞的漸強開始，以定音鼓為基底，奏出Ａ－Ｂ－Ａ－Ｇ－Ａ的主題動機，並徐緩地由木管樂器與薩克斯風接續奏出主題呈示，冷冽的織度預告了樂曲的悲劇性格，中間經過銅管與定音鼓狂暴的段落，象徵蘭花花的悲慟哭訴，又再次以空靈而惆悵的配器呈現主題，樂曲最後在氣若游絲的定音鼓呼喚聲中逐漸消失。（羅夫著）

“Lan Huahua” is one of the most widely known folk songs from northern Shaanxi, composed in the style of “Xintianyou.” The reference to “daughters of the thirteen provinces” in the lyrics suggests that the song dates back to the administrative division of thirteen provinces during the Ming Dynasty. This piece, which maintains a Largo tempo throughout, tells the story of a woman named Lan Huahua, highlighting her pursuit of happiness and freedom in the context of a feudal society, and contrasting her tragic fate within the constraints of traditional matchmaking customs.
The music begins with a powerful crescendo, grounded by timpani, playing the motif A-B-A-G-A. The theme is then gently presented by woodwind instruments and saxophone, with a chilling texture that foreshadows the tragic nature of the piece. A turbulent section featuring brass and timpani symbolizes Lan Huahua’s grief and lamentation. The theme reappears with ethereal and melancholic instrumentation, and the music gradually fades away with the faint calling of the timpani, evoking a sense of lingering sorrow.(Luo Fu Work)

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