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《邊疆風情》選自兩首由中國著名民族音樂家王洛賓（1913-1996）所採譜的新疆民歌，前後分別由旋律抒情而淒美的《在那遙遠的地方》與節奏活潑輕快的《青春舞曲》兩作品所組成，並由許雙亮編寫，是一首充滿中亞大漠情調的曲子。 《在那遙遠的地方》歌詞敘寫對於遠方一名游牧女子的思慕與愛戀，原曲調中，多利安調式（Dorian mode）的旋律與不規則的句法，增添了樂曲富有異國情調的神秘色彩；編曲家巧妙地以木管樂器的配器，營造出靜謐縹緲的氣氛。在一個簡短的動機呈示之後，《青春舞曲》以充滿生命力的氣氛接續出現，歌詞敘寫世界的物換星移循環不息，但自己的青春卻如一去不復返的小鳥般消逝，歌曲的開頭四音動機使人聯想到西域的古老曲調，而活潑俏皮的節奏彷彿民族舞蹈的生動；編曲家以聲部之間的交替輪唱，營造出眾人聚會，手舞足蹈的熱鬧場景，直至最後俐落的結尾。全曲音樂性格鮮明，結構簡短明快，成功地以管樂團的編制呈現出獨特的民族音樂風貌。

“Scenery on Borderland” is an arrangement consists of two Uyghur folk songs, which were gathered by renowned Chinese ethnic musician Luobin Wang (1913-1996). The concert band arrangement is made by Taiwanese composer Shuang-liang Hsu. The first quoted melody ‘In That Place Wholly Faraway’ described the yearning for a distant nomadic woman. The melody is characterized by the appliance of Dorian mode and irregular phrasing, which leads to a tranquil and misty atmosphere. ‘Dance of Youth’ emerges after a transition with presenting a brief motif; the melody forms a contrast in character. With lively rhythm, the text described the faded youth as if the bird flew away despite of the circle of time. The four-note motif implies a connection with tune of ancient Western Region. The energetic rhythm portrays an outlook of ethnic dance. The piece is characteristic with simple structure. Ethnic music style is presented successfully by the arrangement of concert band.

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