每冊內含17首編曲1.5級合奏曲，風格涵蓋民謠、古典、爵士，每首作品重新編寫為三聲部的重奏曲：A聲部皆為主旋律，可供獨奏參考；
B聲部可與A聲部組成和諧的二重奏；
C聲部皆為低音聲部，可與A、B聲部構成飽滿而豐富的和聲。

這套教材如何使用？
透過各種不同的樂器排列組合，可以延伸出最豐富的獨奏、重奏與樂團合奏變化，衍生出的組合類型包括：獨奏、由鋼琴或吉他伴奏的獨奏、群體演奏同一聲部、二聲部重奏、由鋼琴或吉他伴奏的二重奏、三聲部重奏、由鋼琴或吉他伴奏的三重奏、木管五重奏、銅管五重奏、打擊重奏、管樂團等編制，皆可使用。

靈活設計的內容
一、法國號可根據教材建議，變換演奏音域
二、低音號可作為伴奏，亦可擔當獨奏。
三、鍵盤打擊樂器可自組重奏團。
四、無音高打擊樂器可自由指定、選擇。
五、鋼琴、吉他的伴奏反映出樂曲和聲與風格，可選擇性加入。

管樂團的演奏聲部該怎麼分配？
長笛 – A, B
雙簧管 – A, B
豎笛 – A, B, C
低音豎笛 – C
低音管 – C
中音薩克斯風 – A, B
次中音薩克斯風 – C
上低音薩克斯風 – C
小號 – A, B
法國號​​ – B, C
長號 – C
上低音號 – C
低音號 – C
鍵盤打擊樂器 – A
鼓、定音鼓

曲目錶：
1. Camptown Races
2. San Serení
3. March from “Scipio”
4. When the Saints Go Marching In
5. Musette
6. Bella Bimba
7. Ronde
8. Trumpet Voluntary
9. In the Bleak Midwinter
10. Amazing Grace
11. Samba-lêlê
12. Ye Banks and Braes o’ Bonnie Doon
13. Open the Door for Me!
14. Shepherd’s Hey
15. See, the Conquering Hero Comes
16. Program Notes
17. Fingering Charts

Excellence in Chamber Music is a set of 15 arrangements for soloists, repertoire, and ensembles.

Each volume contains 15 arrangements in folk, classical, and jazz styles, each rearranged as a three-part repertoire: the A part is the main theme for soloists;
The B section can be used to form a harmonious duet with the A section;
Part C is a bass part, which can be used to form full and rich harmonies with parts A and B.

How can I use this kit?
The most varied solo, repertoire and ensemble variations can be achieved through a variety of instrumental arrangements, including: solo, solo accompanied by piano or guitar, group performance of the same voice, duo, duo accompanied by piano or guitar, trio, trio accompanied by piano or guitar, woodwind quintet, brass quintet, percussion, wind ensemble, and so on. All arrangements can be used.

Flexible design
The French horn can be used to change the playing range according to the recommendations of the textbook.
Bassoons can be used as accompaniment or soloists.
Keyboard percussion can be used to form a self-contained repertoire.
Pitchless percussion can be freely assigned and selected.
The accompaniment of piano and guitar reflects the harmony and style of the piece and can be added on an optional basis.

How should the wind orchestra be divided into sections?
Flute – A, B
Oboe – A, B
Harp – A, B, C
Bass Harp – C
Bassoon – C
Alto saxophone – A, B
Tenor saxophone – C
Euphonium saxophone – C
Trumpet – A, B
French horn – B, C
Trombone – C
Euphonium – C
Bass Horn – C
Keyboard Percussion – A
Drums, Timpani