本作品由日本作曲家三澤慶所創作，樂曲以南洋島嶼風情作為發想，標題之「Cinedkeran」為達悟族語，意指「拼板舟」；其作品理念涵蓋了所有南島語族先民，以胼手胝足的精神向未知的大海探尋新的家園，歌頌其無畏艱難，開疆闢土的拓荒精神。

樂曲序奏以長笛與單簧管交替出現的主題啟始，相互追逐的結構恰似輕柔的浪花拍打，並以浪聲鼓（ocean drum）等打擊樂器襯托出碧海藍天的意象，此時曲風一轉，進入生動的快板（Allegro con anima），以序奏所呈示的主題進行發展，充滿朝氣活力的節奏象徵著先民劃著船舟，乘風破浪的樣貌。

樂曲中段行板，進入沉穩的C大調，彷彿進入沉寂的大海之夜
，輕舟伴著繁星滿點的蒼穹，承載著睡夢中的旅人，於高音木管聲部不時出現的成串十六分音符，好似流洩於夜空中的星宇；隨著快板主題的再現，旅人逐漸從睡夢中甦醒，音樂氣氛堆砌至第一次的高潮，帶領聽眾進入降E大調的新世界，一座美麗之島呈現在旅人的眼前，豐厚的配器象徵著一個民族的全新章節，在此建立起嶄新的家園。在一個充滿鄉愁的和弦與回憶的獨白旋律之後，樂曲回到迎向光明未來的快板。

最後的快板之中，作曲家以高音木管所演奏的主題裝飾，與銅管所演奏一段具有積極性格的旋律進行對位；樂曲尾奏以恢弘而大器的氣氛進行旋律增值（augmentation），並在短暫而果決的快板再現之後，結束此一結構完整的作品，為聽眾留下婆娑之洋的美好想像。

The piece is composed by Japanese composer Misawa Kei. The notion of composition is based on Austronesian culture and islands. The title “Cinedkeran” is Tao (also known as Yami) language from Orchid Island, which means the traditional canoe of Tao people. The piece is a tribute to the brave spirit of all Austronesian ancestors, who had been pioneers of seeking new habitats in the unknown circumstances.

The music begins with the alternate theme of flutes and clarinets, reminds audiences of waves. Ocean drum and other percussion instruments were orchestrated to emphasize on the marine atmosphere. After a brief introduction, the music suddenly turns to Allegro con anima. Using theme presented in the introduction, the allegro variation with lively rhythm symbolizes the scenery of people rowing the canoe facing giant waves.

In the middle paragraph, the music is transposed into a calm C major, as if the night of ocean falls; the canoe is accompanied by starry sky, carrying sleeping rovers. The sixteenth notes appeared in woodwind sections are related to stars. Rovers awake as the reminiscent theme emerges, which leads to the first climax, entering a new world of E-flat major. A beautiful island (Ilha Formosa) with magnificent landscape appears. The grandeur orchestration was adapted to present a whole new chapter of a nation. After a nostalgic fermata chord and a soliloquy of memory, the music goes on with a bright allegro.

At the end of the music, and Austronesian-style melody is presented by brass section, decorated by the variation of woodwinds, forming a spectacular counterpoint. The theme is augmented in the coda with majestic atmosphere. After a short recapitulation of theme, the piece is ended, leaving charming imagination of ocean and island.